France's Ladj Ly Back with New Film on Life in Paris Suburbs

Four years after he lit up the Croisette in Cannes with his debut feature film ‘Les Miserables’, Ladj Ly is back with a new, searing, and very personal take on life in the gritty Paris suburbs.

‘Les Indesirables, which premiered at the Toronto International Film Festival, tackles the growing housing crisis in those areas against a backdrop of racial tensions, poverty, prejudice, and police overreach.

For the 45-year-old Ly, who drew on his own experiences growing up in the rundown projects of Clichy-Montfermeil, the situation in the suburbs "has not really evolved" since his first cinematic effort, and he wanted to dig deeper.

"I grew up in the suburbs; it's an area that holds a special place in my heart," Ly told AFP in an interview Saturday at the Toronto Film Festival, the largest in North America.

"There are various issues -- people being turned out of their homes, gentrification too. There are lots of people who were forced out, only to be placed in neighborhoods that are in even worse shape, or farther away," he said.

"This is a problem that affects a lot of people, whether they live in France or in big cities abroad -- in the United States, Brazil, or elsewhere."

‘Les Indesirables’ follows Haby (Anta Diaw), a young housing activist who lives in a suburb whose mayor suddenly dies, leading to the appointment of young, idealistic doctor Pierre (Alexis Manenti) as his replacement.

As Pierre pursues his predecessor's urban renewal plans, Haby and other residents of her dilapidated apartment block -- no working elevators, minimal lights, cramped living spaces -- attempt to stave off being driven out.

The tension escalates palpably after a tragic fire in an illegal restaurant prompts the new mayor to clear the entire building.

Haby enters politics as her desperate and enraged friend Blaz takes matters into his own hands, with traumatic results.

Diaw called filming "a rather amazing experience" but admitted that acting in some of the more raw scenes, like the wrenching effort to carry the coffin of a loved one down the apartment block's treacherous stairs, took a toll.

"When I was called to the set, and I found the coffin in the middle of the room, it's true, it wasn't obvious how to proceed," she explained. "I didn't think it would affect me to that extent. I took five minutes to pull myself together."